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Is there Emotional Education in Theatre Culture
or
emotions are just repetitive coincidences in spacetime?
Is theatre a played event or is it really happening?
Does the audience feel the same way as the actors or not?
If yes, Why?
If not, Why or Why not?
What makes us feel, and what doesn’t?
Is it the lack of empathy or too much sympathy?
Are we the emptoms or a symptoms?
Does the expression emptom exists or exhausts?
Is this question valid or invalid?
Are we emotionally Cripled or Cropled?
Profesor Ocvrt Mojmir & profesor Polc Imre with the method of research-in-progress looking for the answers of This & That.
A long time ago professor Polc Imre spent his life-energy on finding evidences of different levels of Space & Time and all sort of alignments of these two components of theatre. Uncompromisedly he marched towards his goal & became expert in the field of Observing & Sensing in the famous university city of Padova, Italy at the Watch-Art-Academy by successfully finishing his educations on the See the Invisible Sea faculty, where he wrote his diploma-work titled:
“The contra-effects of the 4th & 5th walls – Quantum-deficiency of above-average audience’s emotional reciprocity.”
Ali v gledališki kulturi obstaja čustvena vzgoja
ali
so čustva le ponavljajoča se naključja v prostoru-času?
Je gledališče odigran dogodek ali se resnično dogaja?
Ali občinstvo čuti enako kot igralci ali ne?
Če da, zakaj?
Če ne, zakaj oziroma zakaj ne?
Kaj v nas zbudi občutke in kaj ne?
Gre za pomanjkanje empatije ali za preveč simpatije?
Smo emptomi ali simptomi?
Ali izraz emptom obstaja ali obstoji?
Je to vprašanje validno ali invalidno?
Smo čustveno pohabljeni ali moteni?
Profesor Ocvrt Mojmir in profesor Polc Imre z raziskovalno metodo v teku iščeta odgovore na to in ono.
Pred davnimi časi je profesor Polc Imre raziskoval na številnih ravneh Prostora in Časa ter vseh mogočih poravnav teh dveh sestavin gledališča.
Brezkompromisno je korakal proti svojemu cilju in postal strokovnjak na področju Opazovanja in Zaznavanja v slavnem univerzitetnem mestu Padova v Italiji, na Akademiji Umetnosti Gledanja (Watch-Art-Academy), kjer je uspešno zaključil študij na fakulteti Glej Nevidno Morje (See the Invisible Sea) in napisal diplomsko delo z naslovom:
»Kontraučinki četrte in pete stene – kvantna pomanjkljivost čustvene recipročnosti nadpovprečnega občinstva.«